Edorium Journal of

Disability and Rehabilitation

 
     
Supplementary Material
 
Does listening to music in acute stroke improve outcomes? A single-blinded quasi-randomized pilot study
Luisa Hewitt1, Colette Sanctuary2, Anne Vertigan E.3, Isobel Hubbard J.4, Elizabeth Holliday G.5, Michael Pollack6
1Ba Speech Pathology, Speech Pathologist, Speech Pathology, Belmont Hospital; Belmont District Hospital Stroke Unit (Hunter Stroke Service), Hunter New England Health, Belmont, NSW, Australia.
2BSc (hons) Occupational Therapy, Occupational Therapist, Occupational Therapy, Belmont Hospital; Belmont District Hospital Stroke Unit (Hunter Stroke Service), Hunter New England Health, Belmont, NSW, Australia.
3PhD, Service manager Speech Pathology, John Hunter Hospital, Centre of Asthma and Respiratory Disease, University of Newcastle, Hunter Medical Research Institute, Newcastle, NSW, Australia.
4PhD, Lecturer/Academic Researcher, School of Medicine and Public Health Medicine, Faculty of Health and Medicine,University of Newcastle, Newcastle, NSW, Australia.
5PhD, Associate Professor/ Senior Statistician, Public Health Research program, Hunter Medical Research Institute, Newcastle, NSW, Australia.
6District Director Rehabilitation Medicine - Hunter New England LHD, Director, Hunter Stroke Service.

Article ID: 100023D05LH2016
doi:10.5348/D05-2016-23-OA-19

Address correspondence to:
Luisa Hewitt
Speech Pathology, Belmont Hospital, PO Box 2365
Gateshead, NSW
Australia- 2290

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How to cite this article
Hewitt L, Sanctuary C, Vertigan AE, Hubbard IJ, Holliday EG, Pollack M. Does listening to music in acute stroke improve outcomes? A single-blinded quasi-randomized pilot study. Edorium J Disabil Rehabil 2016;2:S1–S3.


Musical Taste Questionnaire

'Stroke Sounds': Music Listening in Stroke Rehabilitation

Musical Taste Questionnaire

Do you enjoy listening to music?
Yes    No    Impartial

What type of music do you enjoy listening to?







What is your favorite type of music? Choose one or more



What are some of your favorite bands, singers or performers?








Music Diary for Intervention Group

Name: __________
'Stroke Sounds'
Music Listening Diary
BOOKLET: Weeks 1–4

Start date: ___________________
Finish date: __________________

Listening to your favorite music after having had a stroke has been shown to help your recovery.

For this program you will need to listen to 1 hour of music each day for 6 days a week through the MP3 music player we have supplied. Overall this will be for 12 weeks.

Please take the time to fill out this diary every day. It is very important that this information is accurate.

Each day fill out the date and tick whether you have completed listening to your 1 hour of music or not. The comments box can be filled in if you have listened to more or less than the hour we would like you to listen to on the MP3 music player.

When you have finished this booklet you will need to return it to us by mail in the postage paid envelope supplied.

A new booklet will be supplied to you by post for weeks 1–4
At the end of 12 weeks you will need to return your music player to Dr

____when you have your appointment to see him. Your appointment is:

DATE:____________________________

A member from our team will call you to organize a home visit after you have completed the 12 weeks of music listening. This person will ask you some questions to look for your improvements since the stroke. Some participants we have tested have not listened to music, so it is very important that the person that visits does not know whether or not you have participated in listening to music daily.
This person will then contact you around 6 months after your stroke to ask you some further questions.


Week 1


Week 2


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Author Contributions:
Luisa Hewitt – Substantial contributions to conception and design, Acquisition of data, Analysis and interpretation of data, Drafting the article, Revising it critically for important intellectual content, Final approval of the version to be published
Colette Sanctuary – Acquisition of data, Analysis and interpretation of data, Drafting the article, Revising it critically for important intellectual content, Final approval of the version to be published
Anne Vertigan – Substantial contributions to conception and design, Analysis and interpretation of data, Drafting the article, Revising it critically for important intellectual content, Final approval of the version to be published
Isobel Hubbard – Substantial contributions to conception and design, Drafting the article, Revising it critically for important intellectual content, Final approval of the version to be published
Elizabeth Holliday – Analysis and interpretation of data, Revising it critically for important intellectual content, Final approval of the version to be published
Michael Pollack – Substantial contributions to conception and design, Revising it critically for important intellectual content, Final approval of the version to be published
Guarantor of submission
The corresponding author is the guarantor of submission.
Source of support
None
Conflict of interest
Authors declare no conflict of interest.
Copyright
© 2016 Luisa Hewitt et al. This article is distributed under the terms of Creative Commons Attribution License which permits unrestricted use, distribution and reproduction in any medium provided the original author(s) and original publisher are properly credited. Please see the copyright policy on the journal website for more information.



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